Ornela Radovicka – Q\u00ebndra albanologjike mbi gjuh\u00ebn dhe kultur\u00ebn arb\u00ebreshe themeluar nga At Bellusci<\/p>\n\n\n\n
Kur m\u00eb ra n\u00eb duar libri \u201cMiseria\u201d nuk di pse n\u00eb ato momente mu kujtua \u201c Il Miserabile\u201d i Viktor Hygo, dhe kur nisa ta lexoja i shtova edhe at\u00eb doz\u00eb t\u00eb autor\u00ebve realistik, v\u00ebrtet\u00ebsi Verghiane (Verga), apo ato dromza, pjes\u00eb nga jeta humane q\u00eb piktor\u00ebt e atyre shkujve sp\u00ebrkat\u00ebn sentimentin n\u00eb kanavacat e tyre duke i mb\u00ebrthyer ato momente p\u00ebrjet\u00ebsisht n\u00eb pikuturat e tyre. <\/p>\n\n\n\n
Ngjarjet zhvillohen n\u00eb Hor\u00ebn e Arb\u00ebresh\u00ebvet\\ Piana degli Albanesi. Personazhet kryesor jan\u00eb Giusepina, Salavatore, Filomena etje .<\/p>\n\n\n\n
Autori \u00ebsht\u00eb sekematik. Ai disegnon me fjal\u00eb. Krijon kompozime t\u00eb shkurt\u00ebra si sken; <\/p>\n\n\n\n
Federico e Salvatore ( dy personazhet e librit) n\u00eb loj\u00ebn e tyre me letra, q\u00eb m\u00eb kujton tryes\u00ebn e gjeometrizuar \u201cI giocatori delle grandi carte\u201d, t\u00eb Cezenne. <\/p>\n\n\n\n
Akti i vdekjes s\u00eb Filomen\u00ebs n\u00eb shtrat me vena t\u00eb prera m\u00eb p\u00ebrcolli tek hisoria e artit Henri Gervex, Rolla. <\/p>\n\n\n\n
Ngjarjet n\u00eb kish\u00ebn e Sh\u00ebn Gjergjit p\u00ebrjetova bukurin\u00eb e\u00a0 veprave t\u00eb monrealezit Pietro Novellit. <\/p>\n\n\n\n
Personazhet\u00a0 n\u00eb \u201c Miseria\u201d demostorojn\u00eb brisht\u00ebsin, debules\u00ebn,\u00a0 por edhe forc\u00ebn e jet\u00ebs humane. Autori nuk anashkalon, por p\u00ebrmbush personazhet e tij me introspeksioni psikologjik, duke iu\u00a0 dh\u00ebn\u00eb atyre at\u00eb doz\u00ebn e duhur, t\u00eb reflektimit, por edhe t\u00eb pasionit,t\u00eb dashuris\u00eb, sensualitetin, joshjen,\u00a0 ethet e k\u00ebnaq\u00ebsis\u00eb duke e b\u00ebr\u00eb sa m\u00eb t\u00eb bukur artistikisht p\u00ebrshkrimet e tij.\u00a0<\/p>\n\n\n\n
N\u00eb k\u00ebt\u00eb udh\u00ebtim merita e Autorit q\u00ebndron se ai eleminon \u00e7do element morali, nxjerr\u00eb n\u00eb pah \u201ct\u00eb v\u00ebret\u00ebn\u201d e karaktereve t\u00eb presonazheve t\u00eb tij, dhe nuk bie n\u00eb dogma moralistik t\u00eb koh\u00ebs dhe jo vet\u00ebm, por Ai p\u00ebrmban at\u00eb zot\u00ebrim dhe kapacitet, q\u00eb di t\u2019i jap\u00eb z\u00eb akteve \u201cmanichea o stereotipata\u201dt\u00eb raporteve paradoksale.<\/p>\n\n\n\n
Kur lexon vep\u00ebr\u00ebn, \u201c Miseria\u201d penetron n\u00eb hapsir\u00eb dhe n\u00eb koh\u00eb t\u00eb historis\u00eb s\u00eb Hor\u00ebs s\u00eb Arb\u00ebresh\u00ebve, dhe nuk gjen segmente, por nj\u00eb vij\u00eb reale, organike ku b\u00ebhesh bashk\u00ebudhtare e shekujve, kthehesh n\u00eb nj\u00eb banor i qytez\u00ebs s\u00eb Hor\u00ebs Arb\u00ebrsheve. <\/p>\n\n\n\n
P\u00ebr ata q\u00eb kan\u00eb vizituar Hor\u00ebn e arb\u00ebresh\u00ebve duket sikur k\u00ebta personazh i ka takuar, p\u00ebrfshihesh n\u00eb nj\u00eb form\u00eb organike br\u00ebnda k\u00ebsaj reje, e cila nuk njeh kufij protagonizmi, por linja, nd\u00ebrthureje dhe ti je aty, her\u00eb si spektator, her\u00eb i p\u00ebrfshir\u00eb si banor i saj ku shikon sheshin, bregun, kish\u00ebn, Gjonin, Kanalli i Ri, Udha Kriqja. <\/p>\n\n\n\n
N\u00eb lib\u00ebr nuk percepton nj\u00eb mori personazhesh, num\u00ebrohen rreth, 15-20 veta, por karakteret q\u00eb ata mbartin, personifikohet nj\u00eb qytrez\u00eb e t\u00ebre, t\u00eb cil\u00ebt t\u00eb p\u00ebrcjellin n\u00eb koh\u00eb n\u00eb hapsir\u00eb, e ti udh\u00ebton n\u00eb makin\u00ebn shekullore. <\/p>\n\n\n\n
Autori, n\u00ebp\u00ebrmjet personazheve kthehet n\u00eb nj\u00eb ciceron t\u00eb qytez\u00ebs s\u00eb tij, rr\u00ebfehet si n\u00eb aspektin historik ashtu edhe n\u00eb rrafshin e ndryshimeve sociale, antropologjike, historike t\u00eb bot\u00ebs arb\u00ebreshe pas luft\u00ebs s\u00eb dyt\u00eb bot\u00ebrore, n\u00ebn korniz\u00ebn t\u00eb e maleve Kumeta, Maganoce, Xaravuli e Pezzuta,ku mb\u00ebshtillet komuniteti n\u00eb nj\u00eb mall shteg\u00ebtimi.<\/p>\n\n\n\n
Mbrrin me k\u00ebta personazhe n\u00eb shekuj dhe b\u00ebhesh bashkoh\u00ebs e aktit e themelimit t\u00eb Hor\u00ebs m\u00eb 30 gusht 1488 n\u00eb Monreale, e njihesh me : Giovanni Barbato, Pietro Bua, Giorgio Golemi, Giovanni Schir\u00f2, Giovanni Macaluso, Tommaso Jani, Antonio Troja, Matteo Mazza, Teodoro Dragotta, Giorgio Burlesci, Giovanni Parrino, Giorgio Ipsari, Giovanni Cansari, Giovanni Cansari, Giovanni Cansari dhe Giovanni Cansari, Giovanni Cannari. <\/p>\n\n\n\n
Firmos bashk\u00eb me ta at\u00eb kontrat\u00ebn e 30 gushtit 1488, midis shqiptar\u00ebve dhe kryepeshkopit t\u00eb Monreale, zyrat publike duhej t\u00eb zinin vet\u00ebm qytetar\u00ebt shqiptar\u00eb t\u00eb ritit grek. Ky privilegj, i njohur vet\u00ebm p\u00ebr arb\u00ebresh\u00ebt e Piana degli Albanesi, mbeti n\u00eb fuqi deri n\u00eb vitin 1819 dhe i lejoi m\u00ebrgimtar\u00ebt t\u00eb mbronin traditat e tyre etno-gjuh\u00ebsore dhe mbi t\u00eb gjitha fetare. <\/p>\n\n\n\n
Tek k\u00ebta personazhe q\u00ebndron n\u00eb shpirt Sh\u00ebn M\u00ebria Odigjitria, e cila iu dha Besimin k\u00ebtij populli se do t\u2019iu qendronte pran\u00eb n\u00eb k\u00ebt\u00eb atdhe t\u00eb dyt\u00eb dhe ata hodh\u00ebn themelet e kish\u00ebs. <\/p>\n\n\n\n
Nuk harruan kurr\u00eb t\u00eb par\u00ebt q\u00eb prek\u00ebn at\u00eb vend dhe \u00e7do dit\u00eb t\u00eb gushtit, kur agimi sp\u00ebrkat me mij\u00ebra spektra t\u00eb portokallta, syt\u00eb e atij komuniteti jan\u00eb drejt Lindjes, prej nga erdh\u00ebn 600 vjet m\u00eb par\u00eb. <\/p>\n\n\n\n
Personazhet e tij t\u00eb marrin dhe t\u00eb shetisin n\u00eb rrugica,e sokake, t\u00eb p\u00ebrcjellin tek udha Lipari, sheshi Vito Stassi, Corso Giorgio Castriota,, Bulevardi Gjergj Kastrioti etje. Lagjet e tyre si: Gjoni, Sheshi, Rrokat, Kryqat e Palermos e kudo ndihen tingujt e shekujve, troku i kuajve, p\u00ebrplasja e tesgjajeve, aroma e gatimeve, mushti i ver\u00ebs. <\/p>\n\n\n\n
Futesh n\u00eb nj\u00eb mikro labirint, dhe shikon q\u00eb autori \u00ebsht\u00eb mjesht\u00ebr i detajeve historike. Ai krijon linja, mbi linja, e nuk shmang deri ato pjes\u00eb etnografike, t\u00eb quajtura \u201cbesytni popullore\u201d, kujtojm\u00eb lindjen e f\u00ebmij\u00ebs s\u00eb par\u00eb t\u00eb Giuseppin\u00ebs, Agostina , e cila mbart nj\u00eb shenj\u00eb \u201cVoglia t\u00eb lulshtrydh\u00ebs\u201d n\u00eb parakrah.<\/p>\n\n\n\n
Detaje shikojn\u00eb edhe n\u00eb jet\u00ebn e p\u00ebrditshme, ambjenti ku q\u00ebndrojn\u00eb, e deri tek ushqimet q\u00eb p\u00ebrdorin; perime, zarzavatet, pasta, djathi, bath\u00eb t\u00eb zjera etje. <\/p>\n\n\n\n
Autorit nuk i shp\u00ebton asnj\u00eb detaj historike, k\u00ebshtu q\u00eb na p\u00ebrfshin\u00eb edhe n\u00eb at\u00eb\u201cplage\u201dq\u00eb i perket kontrastve mes ritit, kontraditat t\u00eb prift\u00ebrinj\u00ebve fetar latin me ata greco Bizantin. D\u00ebgjijm\u00eb fjal\u00ebt e \u201cE mbesuemja e Krishtert\u00eb\u201d t\u00eb Matrang\u00ebs.<\/p>\n\n\n\n
Autori t\u00eb fut n\u00eb ato katedrale dhe kisha, t\u00eb heshtura e t\u00eb zhurmshme. N\u00eb ato kisha u martua Salvatore e Giuseppina, Lino e Agostina, por edhe ku u varros edhe Filomena (Personazhet e autorit) <\/p>\n\n\n\n
Autori \u00ebsht\u00eb i v\u00ebm\u00ebndsh\u00ebm ne aspektin historik, dhe nuk le m\u00ebnjan\u00eb as plag\u00ebn e \u201cMafjes\u201d n\u00eb Jug t\u00eb Italis\u00eb, lidhur me historin\u00eb e hidhur e Portell\u00ebs s\u00eb vitit 1947 ku edhe vdiqen 12 persona, faqe e hidhur n\u00eb hisorin\u00eb italiane. <\/p>\n\n\n\n
N\u00eb goj\u00ebn dhe n\u00eb veprimet e personazheve hasim elementin e identitetit, \u201cKostumin arb\u00ebresh\u201d;nxilona, ndalet tek \u201cBrezi\u201d, ky simbmol i feritilitetit dhe trashgimnis\u00eb q\u00eb burri ia jep si dhurat\u00eb gruas n\u00eb dit\u00ebn e martes\u00ebs… dhe vazhdon me sqepi\\ velloja, k\u00ebzja\\ stoli p\u00ebr t\u00eb mbledhur topuzin, si edhe gjasht\u00eb fjongo dhe kat\u00ebr petale, p\u00ebrmbyllnin virtu t\u00eb gruas arb\u00ebrshe. Kostumi i tyre aq i bukur q\u00eb n\u00eb 1928 n\u00eb konkursin e Venecias mori vendin e pare. <\/p>\n\n\n\n
N\u00eb k\u00ebt\u00eb lib\u00ebr, si nj\u00eb b\u00ebrtham\u00eb e nxeht\u00eb q\u00eb p\u00ebv\u00eblon e krijon shtjellat e saj \u00ebsht\u00eb linja sentimentale. K\u00ebto shtjella mb\u00ebrthejn\u00eb n\u00ebntematikat si; akti i \u201c tradh\u00ebtis\u00eb\u201d, martesat me mbles\u00ebri, Fuitina\\ rr\u00ebmbimet, por edhe , \u201cpasionet m\u00ebkatare\u201d si ajo e Salvatore me Filomen\u00ebn ,q\u00eb nga p\u00ebrshkimi artistik her\u00eb her\u00eb m\u00eb kujton fior di male di Baudelaire.<\/p>\n\n\n\n
Dinamika shoq\u00ebrore. <\/p>\n\n\n\n
Jeta, shoq\u00ebria e Hor\u00ebs nuk \u00ebsht\u00eb e tipit mir\u00ebfillt\u00eb bujq\u00ebsor- blektoral, por\u00a0 asaj i jepen edhe konturet e nj\u00eb qyteze. N\u00eb t\u00eb nuk ka thjesht shkolla, por edhe: Istituti Fem\u00ebror, ku m\u00ebsojn\u00eb mbi kostumin arb\u00ebresh, apo\u00a0 Seminari,\u00a0 ku fabrikohet prifti. Dikush prej banor\u00ebve \u00ebsht\u00eb edhe pronar\u00eb botegash\\dyqanet si edhe merren me zejtari. Por edhe banor\u00ebt e saj kan\u00eb nj\u00eb far\u00eb civilizimi. Salvatore nuk \u00ebsht\u00eb\u00a0 thjesht nj\u00eb bujk i r\u00ebndomt\u00eb.\u00a0 Ai \u00ebsht\u00eb nj\u00eb djalosh i cili ka dal\u00eb jasht\u00eb mureve t\u00eb qytez\u00ebs s\u00eb tij. Ka eksperiencat e tij sentimentale. Ishte i\u00a0 martuar me Giusepina, kjo grua e lindur\u00a0 n\u00eb lagjen\u201cPatret\u201d, devote, sht\u00ebpi e kish\u00eb, por i ati i saj edhe pse bujk\u00a0 ishte p\u00ebrfshir\u00eb n\u00eb idet\u00eb komuniste. Jemi n\u00eb vitet 1950, n\u00eb Si\u00e7ili, ndikimi i ideve komuniste ishte i duksh\u00ebm, ve\u00e7an\u00ebrisht midis masave fshatare dhe pun\u00ebtor\u00ebve, t\u00eb cil\u00ebt vuanin nga padrejt\u00ebsit\u00eb sociale dhe ekonomike. Hapja e grupeve dhe organizatave t\u00eb ndryshme komuniste, t\u00eb tilla si Partia Komuniste Italiane (PCI), favorizoi p\u00ebrhapjen e k\u00ebtyre ideve. Lufta e Dyt\u00eb Bot\u00ebrore dhe situata ekonomike e pasluft\u00ebs kishin p\u00ebrkeq\u00ebsuar v\u00ebshtir\u00ebsit\u00eb e popullsis\u00eb. Si\u00e7ilia, me sistemin e saj t\u00eb pronave t\u00eb m\u00ebdha dhe historin\u00eb e saj t\u00eb shfryt\u00ebzimit, ofroi terren pjellor p\u00ebr idet\u00eb komuniste.<\/p>\n\n\n\n
Autori, \u00ebsht\u00eb nj\u00eb mjesht\u00ebr n\u00eb p\u00ebrshkrimet artistike sidodomos n\u00eb p\u00ebrshkrimet fizike, psikologjike t\u00ebpersonazheve. Giusepina\u00a0 ishte mes- holl\u00eb q\u00eb ende ka nj\u00eb fizik adoleshente. Ajo ishte “e lezetsh\u00ebm”\u00a0 t\u00ebrheq\u00ebs n\u00eb nj\u00eb m\u00ebnyr\u00eb t\u00eb \u00ebmb\u00ebl, romantike. Ishte ai diell q\u00eb nuk per\u00ebndon kurr\u00eb. P\u00ebr Salvatore kjo vajz\u00eb nuk kishte patur at\u00eb rafinatec\u00ebn\u00a0 fem\u00ebrore,t\u00eb Erminies, vajz\u00ebn q\u00eb kishte njohur n\u00eb Rom\u00eb e\u00a0 cila\u00a0 ishte si nj\u00eb Re e bukur ku shp\u00ebrthehen kat\u00ebr stin\u00ebt.\u00a0 Por edhe Filomena, t\u00eb cil\u00ebn frekuentonte nuk kishte ato bukuri fizike, por kishte at\u00eb mish\u00ebrim natyror i eg\u00ebr sensual, josh\u00ebse, q\u00eb kishte rr\u00ebmbyer Salvatoren.\u00a0<\/p>\n\n\n\n
N\u00eb\u00a0 k\u00ebt\u00eb episod, autori\u00a0 ndoshta ka dashur t\u00eb na fokusoj se nuk ka \u201cklishe\u201d p\u00ebr bukurin\u00eb\u00a0 fem\u00ebrore.\u00a0<\/p>\n\n\n\n
Ato, mund t\u00eb jen\u00eb t\u00eb bukura, t\u00ebrheq\u00ebse n\u00eb llojin e tyre p\u00ebr syrin e nj\u00eb mashkullit, ngelen t\u00eb bukura p\u00ebr jo p\u00ebrsososura n\u00eb p\u00ebrsosm\u00ebrin\u00eb e tyre. M\u00eb vjen nd\u00ebr mend poesia e Joumana Haddad \u201cUn\u00eb jam Lilith, per\u00ebndesha e dy net\u00ebve q\u00eb kthehet nga m\u00ebrgimi.Un\u00eb jam Lilith, gruaja-fat. Asnj\u00eb mashkull nuk i ka shp\u00ebtuar kurr\u00eb asaj dhe asnj\u00eb mashkull nuk d\u00ebshiron t’i shp\u00ebtoj\u00eb asaj\u201d<\/p>\n\n\n\n
Si\u00e7 shohim, n\u00eb romanin \u201cMiseria\u201d nuk kemi vet\u00ebm gra t\u00eb cilat jan\u00eb \u201ckish\u00eb dhe sht\u00ebpi\u201d, si\u00e7 \u00ebsht\u00eb rasti i Giusepin\u00ebs, devota, ku shpesh reciton \u201c rosarion\u201d mbasdieve n\u00eb kish\u00eb me Papa Sepa, por edhe femra t\u00eb cilat jan\u00eb t\u00eb lira n\u00eb emocionet dhe pasionet e tyre.<\/p>\n\n\n\n
Femra t\u00eb evoluara, akte q\u00eb na p\u00ebrcjellin n\u00eb vitet 60, lidhur me revolicionin \u201cfeminist\u201d. Personazhe t\u00eb till\u00eb kemi brezin e dyt\u00eb, Agostina vajza q\u00eb kuror\u00ebzon dashurin\u00eb e saj me Linon. N\u00eb fillim t\u00eb dy ikin e nuk l\u00ebn\u00eb gjurm\u00eb, \u00ebsht\u00eb akti i rr\u00ebmbimi\\fujtina. Lino merr Agostin\u00ebn dhe shkojn\u00eb n\u00eb tjet\u00ebr qytez\u00eb, etni arb\u00ebreshe, por tashme t\u00eb asimiluar n\u00eb gjuh\u00eb, Mezzojuzo. <\/p>\n\n\n\n
Shkelin rregulat\\ trasgrediscono edhe Elena e Mimmo. <\/p>\n\n\n\n
Jan\u00eb personazhe q\u00eb na sjellin n\u00eb miniature, nd\u00ebrmend disa nga personazhe t\u00eb Honore De Balzak, q\u00eb pasqyrojn\u00eb realitetin e koh\u00ebs me t\u00eb metat, meritat dhe ambiciet e tyre\/<\/p>\n\n\n\n
Kemi bujkun q\u00eb tradh\u00ebton (Savatoren),(Filomena) e reja e cila ngel shtat\u00ebzan jasht martese, (Zio Rosario) i em\u00ebrguari n\u00eb New York, abuz i alkolit, por nj\u00ebkoh\u00ebsisht njeri karizmatik i cili shfryt\u00ebzonte k\u00ebt\u00eb element fitimi, shum\u00eb shpejt hapi nj\u00eb k\u00ebpucari t\u00eb tij\u00ebn (Rosaria) P\u00ebrfaq\u00ebsuese e shtres\u00ebs s\u00eb mesme, e cila kishte nj\u00eb dyqan ushqimor, por q\u00eb t\u00ebrhiqte klientel\u00ebn duke shitur edhe trupin e saj p\u00ebr fitime, e tashm\u00eb kishte falimentuar se ishte zbuluar n\u00eb at\u00eb \u00e7\u2019ka b\u00ebnte. <\/p>\n\n\n\n
Romani \u201c Miseria\u201d \u00ebsht\u00eb sa statik po aq edhe i l\u00ebvissh\u00ebm. Je i mb\u00ebrthyer nga nj\u00eb shoq\u00ebri sa tradizionale po edhe n\u00eb evolvim. Bukuria e k\u00ebtyre pak personazheve \u00ebsht\u00eb se n\u00eb format e tyre individuale, n\u00eb t\u00ebr\u00ebsin\u00eb e tyre mbartin t\u00eb gjitha cil\u00ebsit\u00eb e shum\u00eb personazheve q\u00eb mbart nj\u00eb qytez\u00eb e t\u00ebr\u00eb. Cdo element kthehet n\u00eb sintez\u00eb e \u00e7do sintez\u00eb esht\u00eb nj\u00eb element. <\/p>\n\n\n\n
Pjesa m\u00eb dramatike \u00ebsht\u00eb ai i aktit final. Nga nj\u00ebra an\u00eb \u00ebsht\u00eb kuror\u00ebzimi i dasm\u00ebs s\u00eb dy t\u00eb rinj\u00ebve Agostin\u00ebs dhe Linos. <\/p>\n\n\n\n
Dy t\u00eb rinj\u00eb me kurajo q\u00eb nuk iu kishte interesuar gjykimi i shoq\u00ebris\u00eb, por triumfi i dashuris\u00eb s\u00eb tyre, dhe nga ana tjet\u00ebr lidhja sentimentale \u201cproibito\\ e ndaluar\u201d ajo e e Filomen\u00ebs me burrin e kushurir\u00ebs saj, Salvatore, q\u00eb priste nj\u00eb f\u00ebmij\u00eb dhe nuk kishin patur guximin t\u00eb rr\u00ebfenin p\u00ebr k\u00ebt\u00eb lidhje dashurie. <\/p>\n\n\n\n
Me nota t\u00eb thella vuajtje shp\u00ebrt\u00ebrore, por dhe me nj\u00eb trusni t\u00eb madhe t\u00eb mentalitetit t\u00eb grupit, Filomena po kalonte momente m\u00eb t\u00eb trishtueshme, dramatike q\u00eb mund t\u00eb kaloj nj\u00eb n\u00ebn\u00eb q\u00eb pret t\u00eb lind f\u00ebmij\u00ebn e saj. I kishte shprehur Salvatores d\u00ebshir\u00ebn p\u00ebr t\u00eb shkuar n\u00eb Palermo se n\u00eb qytet nuk njihnte ask\u00ebnd dhe se askush do ta gjykonte, por do t\u00eb g\u00ebzonte k\u00ebt\u00eb lumturi q\u00eb i ra p\u00ebr short edhe n\u00eb nj\u00eb mosh\u00eb madhore.<\/p>\n\n\n\n
Nd\u00ebrsa grumbuj njer\u00ebzish uronin Agostin\u00ebn dhe Linon, p\u00ebr triumfin e dashuris\u00eb s\u00eb tyre, n\u00eb an\u00ebn tjet\u00ebr mbi krevatin ku ishte koncepitur krijesa q\u00eb mbante n\u00eb bark Filomena, n\u00eb agoni, me venat e prera dergjej trupi i saj. Kishte marr\u00eb me vete n\u00eb m\u00ebnyr\u00ebn m\u00eb tragjike, edhe at\u00eb f\u00ebmij\u00eb q\u00eb kurr\u00eb nuk lindi…<\/p>\n\n\n\n
Nj\u00eb p\u00ebrshkrim shum\u00eb t\u00eb bukur artistik i b\u00ebn\u00eb autori k\u00ebtij momenti, ku spikasin refleksione t\u00eb botkuptimit i nj\u00eb shoq\u00ebrie maskiliste, plot me paragjykime, dhe n\u00ebp\u00ebrmjet nj\u00eb stili p\u00ebrshkrimi, ku vdekja dhe pasioni jan\u00eb n\u00eb nj\u00eb \u201cTango \u201c t\u00eb fundit, ku mbizot\u00ebron pasioni i \u201cPap\u00ebrgjegjsh\u00ebm\u201d por jo \u201ci pafajsh\u00ebm\u201d, i shoq\u00ebris\u00eb q\u00eb i rrethonte, zhveshur nga ai koncept i thell\u00eb \u201cDashuri e v\u00ebrtet\u00eb\u201d. Ky sensibilitet nuk ishte n\u00eb syt\u00eb e ftoht\u00eb e t\u00eb prer\u00eb t\u00eb Salvatore. Cdo pasion i tij, tashm\u00eb dukej sikur i ishte shuar me \u201csapo-vdekjen\u201d e saj. <\/p>\n\n\n\n
N\u00eb form\u00ebn m\u00eb t\u00eb dhimbshme autori n\u00ebnvizon nj\u00eb akt sublim. Fjala e dh\u00ebn\u00eb, Besa… Nd\u00ebrsa trupi i Filomen\u00ebs pa jet\u00eb, i shtrir\u00eb, p\u00ebrpara tij Giovanni Virgo, djaloshi q\u00eb i kishte dh\u00ebn\u00eb fjal\u00ebn se do t\u00eb martohej para se t\u00eb nisej n\u00eb luft\u00ebn e dyt\u00eb botrore. E tashme, ai \u00e7udit\u00ebrisht ishte aty, me vitet e tij mbi shpin\u00eb, me shikimin e njom\u00eb, si flet\u00ebza tulipani kripe, duke i dh\u00ebn\u00eb lamtumir\u00eb atyre buz\u00ebve t\u00eb mermerta, me puthjen e fundit e nj\u00eb nj\u00eb dashurie ende pa filluar. <\/p>\n\n\n\n
Gjuha, q\u00eb p\u00ebrdor autori \u00ebsht\u00eb n\u00eb italisht, dhe nga ana artistike \u00ebsht\u00eb e qart\u00eb, e rrjedhshme,me nj\u00eb stil t\u00eb aquarelluar n\u00eb kompozicionin e tyre mbushur me figura letrare.<\/p>\n\n\n\n
Teknika e prdoror n\u00eb rr\u00ebfim;<\/p>\n\n\n\n
Nj\u00eb num\u00ebr i madh toponimesh, emra lagjesh, lumenj\u00eb, kroi, kisha, pallate, etje na shoq\u00ebrojn\u00eb n\u00eb k\u00ebt\u00eb lib\u00ebr q\u00eb e b\u00ebjn\u00eb edhe t\u00eb v\u00ebrtet nga pikpamja historike. <\/p>\n\n\n\n
P\u00ebrshkrimet e tij her\u00eb duken seke\u00e7e t\u00eb shkurt\u00ebra, her\u00eb kompozime t\u00eb nj\u00eb pikture, her\u00eb kthehen n\u00eb mozaik gjigand ku p\u00ebr \u00e7do linj\u00eb ka vendosur nj\u00eb \u201cPuzzle-biblioteke\u201d, e \u00e7do lib\u00ebrth ka p\u00ebrmbajtjen e tij; historike, etnografik, gjeografik, anrtopologjike t\u00eb hor\u00ebs s\u00eb tij. <\/p>\n\n\n\n
Ornela Radovicka <\/p>\n\n\n\n
Q\u00ebndra albanologjike mbi gjuh\u00ebn dhe kultur\u00ebn arb\u00ebreshe themeluar nga At Bellusci<\/p>\n\n\n\n
<\/p>","protected":false},"excerpt":{"rendered":"
Ornela Radovicka – Q\u00ebndra albanologjike mbi gjuh\u00ebn dhe kultur\u00ebn arb\u00ebreshe themeluar nga At Bellusci Kur m\u00eb ra n\u00eb duar libri \u201cMiseria\u201d nuk di pse n\u00eb ato momente mu kujtua \u201c Il Miserabile\u201d i Viktor Hygo, dhe kur nisa ta lexoja i shtova edhe at\u00eb doz\u00eb t\u00eb autor\u00ebve realistik, v\u00ebrtet\u00ebsi Verghiane (Verga), apo ato dromza, pjes\u00eb […]<\/p>\n","protected":false},"author":12,"featured_media":1319,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_eb_attr":"","jnews-multi-image_gallery":[],"jnews_single_post":{"format":"standard","jnews_video_option_group":[[]],"override":[{"template":"1","parallax":"1","layout":"no-sidebar","sidebar":"primo-piano","second_sidebar":"default-sidebar","sticky_sidebar":"1","share_position":"float","share_float_style":"share-normal","show_share_counter":"1","show_view_counter":"1","show_featured":"1","show_post_meta":"1","show_post_author":"1","show_post_author_image":"1","show_post_date":"1","post_date_format":"default","post_date_format_custom":"Y\/m\/d","show_post_category":"1","post_reading_time_wpm":"300","post_calculate_word_method":"str_word_count","show_zoom_button":"0","zoom_button_out_step":"2","zoom_button_in_step":"3","show_post_tag":"1","show_popup_post":"1","show_comment_section":"1","number_popup_post":"1","show_author_box":"1","show_post_related":"1","show_inline_post_related":"1"}],"image_override":[{"single_post_thumbnail_size":"crop-500","single_post_gallery_size":"crop-500"}],"trending_post_position":"meta","trending_post_label":"Trending","sponsored_post_label":"Sponsored by","disable_ad":"0"},"jnews_primary_category":[],"jnews_social_meta":{"fb_title":"Nd\u00ebrsa lexoj librin \u201c Miseria\u201d t\u00eb autorit, dramaturgurut Arb\u00ebresh, Mario Caliv\u00e0","fb_description":"\u201cMiseria\u201d mu kujtua \u201c Il Miserabile\u201d i Viktor Hygo, dhe kur nisa ta lexoja i shtova edhe at\u00eb doz\u00eb t\u00eb autor\u00ebve realistik","fb_image":"1319"},"jnews_review":[],"enable_review":"","type":"","name":"","summary":"","brand":"","sku":"","good":[],"bad":[],"score_override":"","override_value":"","rating":[],"price":[],"jnews_override_counter":{"view_counter_number":"0","share_counter_number":"0","like_counter_number":"0","dislike_counter_number":"0"},"jnews_post_split":{"post_split":[{"template":"1","tag":"h2","numbering":"asc","mode":"normal","first":"0","enable_toc":"0","toc_type":"normal"}]},"footnotes":""},"categories":[221,206,291,1],"tags":[],"class_list":["post-1318","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-autori-arbereshe","category-letteratura","category-recensioni","category-uncategorized"],"acf":[],"yoast_head":"\n